Category: video

#collectiveerrors

online memory of 10.2–26.2 2012 in Candyland, Gotlandsgatan 76, Stockholm

#upsidedown #ferdinandbaumanngallery #prague #nongkranpanmongkol #lexaperoutka

rec by Michal Ureš

 

[rl_gallery id=”3582″]

Long grill that stretches from one side of the display window to the other one manifests the social situation of human multitudes. The long wheel is rotating slowly as social transformations are happening. It is traditional narrative of different cultures where the values are evaluated, codified, standardized and publicly explained and where high expectations of the future of current society are present.

Dlouhé grilovací břevno protíná výstavní vitrínu z jedné strany na stranu druhou a manifestuje společenskou situaci společenské masy. Dlouhé kolo pomaluje rotuje, paralelně probíhají společenské proměny. Je to tradiční popis, představení, symbol odlišných kultur, které své hodnoty předefinovávají, kodifikují, standardizují, normalizují a zveřejňují. Velká společenská očekávání se vytváří.

FBGallery http://fbgallery.cz/upsidedown

#hunger #5th performance festival #22052015 #23052015 #artycoktv #cz

#Unity #AlexanderPeroutka #video #DeskaGallery #ÚstínadLabem #Aussig

 

 

 

/video doc from our exhibition in Kreuzberg Pavillon /Berlin

/interview for ARTMargins /by František Zachoval /11 Nov 2013

The Observation In A Second Order >Alexander Peroutka<

ARTMargins /profile /Alexander Peroutka

/Collective Errors by Artycok.tv

/Collective Errors /Candyland Gallery in Stockholm

Collective
Errors

Installation av Alexander Peroutka (CZE /Tjeckien)

CANDYLAND

Vernissage
10 februari 17-22

2012
02 10 – 02 26

Den tjeckiske konstnäre Alexander Peroutkas fontän med skräp i och videofilm med intervjuer på offentliga platser, vill väcka frågor kring en alltmer krympande rörelsefrihet.

The water basin installation occupying the gallery room represents an approximately neutral public place. It is a place where the various remnants of our one or more days´ valued things meet. However, even though the room is public, it doesn’t even mean that it is available to all. There is no sense of permanency, and all is subject to flux and change.

Public spaces are in a constant state of flux and are currently shrinking in favour of entrepreneurship and competition for business growth worldwide.

So, although public places seem to be in the public domain, they have in fact often already been sold off, leaving people isolated in an ever-diminishing realm of connectivity.

The litter and remains of our small private joys, and the results of hidden market mechanism are circulating inside the pool, switching places in reflection of the material
metamorphic cycles evident within urbanized spaces.

The basin is there to remind us of that which we value and is there to be compared to the personal interviews being presented on loop in the next room of the gallery.
 


interviews:

Collective Errors, video interviews, Gallery Candyland, Sthlm from lxu on Vimeo.

/Tamara Moyzes & Shlomo Yaffe /Welcome to Prague /Czech Center Stockholm

Welcome to Prague, 2010 CC Stockholm from lxu on Vimeo.

Tamara Moyzes, Shlomo Yaffe: Welcome to Prague [CC Stockholm]

/Groupe Guma Guar /The Wings of Your Nation /Czech Center Stockholm

The Wings of Your Nation, 2010 CC Stockholm from lxu on Vimeo.

GGG: The Wings of Your Nation [CC Stockholm]