Category: group_show

#concreteautumn #hradeckralovecity

#dharmacarousel #noteverything #fourdaysinmotion #desfourspalace #prague #nongkranpanmongkol #lexaperoutka

#monumentofdemocracy #neigbourhoodboogiewoogie #agoraphilia #huntkastnergallery

#neigbourhoodboogiewoogie #agoraphilia #huntkastnergallery

#angryplanettwo

25.4. – 10.6.2018

The House of the Lords of Kunštát, Brno, Czechia

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#angryplanet #rozhnevanaplaneta #2018

#angryplanet #brnohouseofarts #24042018

http://www.dum-umeni.cz/cz/vystavy/detail/id/331

#equalizer #installation #most #brux #july2017

before installation in public /sculpture symposium /Most /Brux /Czechia

 

‘Post-Trauma’ at Avoid Floating Gallery /2016

 

Men At Work /Henrik Ekesiöö

Employees are tight to the job, their usefulness for the business is fully exploited. Working time is perfectly divided and planned for the maximum of the profit. Every spare moment is effectively used. If they can be in charge of some of the working time they revitalize their brains and bodies and the work can be concluded with higher effectiveness and better results. In one building material supply store in Stockholm the team of workers is using spare time to exercise their graphic skills in highly democratic manner. They vote on the theme and rotate each one’s responsibility. Each week the subject changes and the results are surprising and overcoming our low expectations.

 

The Farm /Nongkran Panmongkol

What is the European Union for the people of Europe themselves? What is the real information they gain and from where it comes? From the government or the media? While joining the Union from different perspective of life and from different economical backgrounds it is hard to agree on anything. The rich are here to share with the poor. EU budget. To vote in and out of the Union. Everything seems ironical in a very serious way.

 

A Pedestal /Jan Stolín

We always expect visual art in concrete space and environmental setting. Ourselves we try to limit art to fit our ideas and interpretation of the world. This way we often kill its ability to open new area of discussion and its main structural element that gives it importance and actuality. But art is essentially subversive and it fights our rigid conceptions and gains its own space in our lived environment. Pedestal is the whole system with its own function – it doesn’t have to support any other concept, material or a thing.

 

Reality Touch /Lexa Peroutka

We are materialist, we have and do not have certain things. We are related and disconnected through the material part of our life. With the help of material we wage the wars and create relationships. Without material background we are nonexistent. None. Nichts. Ingen. Zero. Exclusive champagne sets things right into the right perspective – but if the conflict appears all is upside down – and our fragile part is hitting the hard ground.

/Post-Trauma /Henrik Ekesiöö & Nongkran Panmongkol & Jan Stolín & Lexa Peroutka /Avoid Floating Gallery /Prague

Post-Trauma

openning 19:00, 7.7.2016, Avoid Floating Gallery, Náplavka, 128 00 Prague 2

Henrik Ekesiöö (SE), Nongkran Panmongkol (SE/TH), Jan Stolín (CZ), Lexa Peroutka (CZ/SE)

sound performance by Romano Krzych (FR/CZ) and http://rkz1.blogspot.cz/

Post-Trauma is a collective exhibition of artists from Stockholm and from Czechia. In this context, traumas are meant to be sudden social changes that have great influence on cooperation and communication, as well as defining our living space – the space that we identify ourselves with, and the space that we feel connected to. The individual artists involved are working with three-dimensional and multimedia materials. Their work is an attempt to define the space/room on the basis of its material and/or social quality. Because each artist has a different vision of the space and they are occupying different geopolitical spaces, their work is the “documentation” of a struggle for the concrete space.

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Supported by

prague_en-gb

/Isolation /Lexa Peroutka, Petr Stolín, Jan Stolín /Punk in Architecture /Regional Gallery in Liberec

/Isolation /Punk in Architecture

/Till The Last Drop /Xenofilia /NTK Gallery in Prague

till the last drop

/opening of group exhibition XENOFILIA in NTK Gallery /Prague /3 Dec 2014 /6pm

/video doc from our exhibition in Kreuzberg Pavillon /Berlin

/Till The Last Drop /Invisible Violence /Kreuzberg Pavillon /Berlin /11 Oct 2014

invisible violence / kreuzberg pavillon

/upcoming group show “Innocent Violence” in Kreuzberg Pavillon in Berlin /Inv /11 Oct 2014

Innocent Violence

Invitation / Einladung

Sa. 11.10.2014, 20.00 Uhr / 8pm

INNOCENT VIOLENCE

Klas Eriksson
Nongkran Panmongkol
Alexander Peroutka

Klas Eriksson, Nagkran Panmongkol und Alexander Peroutka arbeiten mit sozialer Intervention. IhreArbeit wird von ihrem Aufenthalt bzw Leben in im geopolitischen Raum Schweden beeinflusst. Traditionell haben soziale und politische Ideen in Schweden eine eigene autonome Interpretation und Umsetzung. Die Gesellschaft scheint hier homogener zu sein und sich rund um ein allgemeines Einvernehmen zu organisieren. Diese Interventionen erwarten ein soziales Umfeld, das seine eigenen Limits aufweist, Grenzen, seine eigenen einzigartigen Erwartungen.

Klas Eriksson erforscht soziale Macht, Hierarchie, soziale Kontrolle und Gewalt innerhalb kultureller Vorstellung und den Einfluss von Pop-Kultur auf die Funktion der heutigen Gesellschaft. Seine Forschung verleiht seiner Installationen und Videos einen performativen Charakter.

Nongkran Panmogkol wurde in Thailand geboren und lebt in Stockholm. Sie arbeitet mit Vorstellungen von kulturellem Konflikt, kultureller Hegemonie und analysiert die Probleme, die durch die non stop Modernisierung der westlichen / globalen Gesellschaft, Grenzen der menschlichen Einwirkung und persönliche und gemeinschaftliche soziale Verantwortung.

Alexander Peroutka lebt und arbeitet in Prag und Stockholm. Seine Arbeit basiert auf der Erforschung der Logik kultureller und politischer Strukturen, die innerhalb jedes geo-politischen Raumes authentisch sind. Er schafft seinen eigenen kritischen Ansatz, der dreidimensional wird in Form von Installationen, die auf Dokumentationen, Datenbanken und sozialen Modellen basieren.

//

Klas Eriksson, Nongkran Panmongkol and Alexander Peroutka work with the idea of social intervention. Their work is influenced by their stay or life in the geopolitical space of Sweden. Social and political ideas in Sweden have traditionally their own autonomous interpretation and implementation. Here it seems the society is more homogeneous and is organized around common understanding. The focus of the presented work lies on artistic investigation into social realities limited by geopolitical space. These interventions expect a social environment that has its limits, borders and its own unique expectations.

Klas Eriksson is investigating social power, hierarchy, social control and violence in cultural imaginary and the impact of pop-culture on function of contemporary society. His investigations leads to a certain performative character of his installations and videos.

Nongkran Panmongkol was born in Thailand and lives in Stockholm. She is working with the ideas of cultural conflict, cultural hegemony while she is analyzing the problems that are created by non-stop modernization of western global society in terms of human interaction limits, personal and collective social responsibilities.

Alexander Peroutka is an artist from Prague and Stockholm. His work is based on investigations into a logic of cultural and political structures that are authentic in every geo-political area (geo-body). He creates his own critical approach that takes three-dimentional form of his installations. His installations are based on documentaries, databases and social models.

KREUZBERG PAVILLON
Naunynstrasse 53
Gartenstudio Berlin
10999 Berlin

Public transport / ÖPNV : U1 / U8 Kottbusser Tor
www.kreuzbergpavillon.de

[http://www.indexberlin.de/kreuzbergpavillon]

 

/Strike? /installation in group exhibition – Blind Spot in NTK Gallery /Prague

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