Category: cz-se

#thewisefoolpod

http://wisefoolpod.com/curator-critic-conceptual-artist-lexa-peroutka-czech-republic/

#collectiveerrors

online memory of 10.2–26.2 2012 in Candyland, Gotlandsgatan 76, Stockholm

#upsidedown #ferdinandbaumanngallery #prague #nongkranpanmongkol #lexaperoutka

rec by Michal Ureš

 

[rl_gallery id=”3582″]

Long grill that stretches from one side of the display window to the other one manifests the social situation of human multitudes. The long wheel is rotating slowly as social transformations are happening. It is traditional narrative of different cultures where the values are evaluated, codified, standardized and publicly explained and where high expectations of the future of current society are present.

Dlouhé grilovací břevno protíná výstavní vitrínu z jedné strany na stranu druhou a manifestuje společenskou situaci společenské masy. Dlouhé kolo pomaluje rotuje, paralelně probíhají společenské proměny. Je to tradiční popis, představení, symbol odlišných kultur, které své hodnoty předefinovávají, kodifikují, standardizují, normalizují a zveřejňují. Velká společenská očekávání se vytváří.

FBGallery http://fbgallery.cz/upsidedown

#umaaudioguide #ferdinandbaumanngallery #upsidedown

interview in Czech lang

#dharmacarousel #noteverything #fourdaysinmotion #desfourspalace #prague #nongkranpanmongkol #lexaperoutka

#kk #kosmiskkastrering #cosmiccastration #vesmirnakastrace #galleryntk

#angryplanettwo

25.4. – 10.6.2018

The House of the Lords of Kunštát, Brno, Czechia

[rl_gallery id=”3469″]

#wallsvgaps #liberec #reichenberg #fuatul

n-panmogkol.ml

nongkran panmongkol works

#nofuture #nongkranpanmongkol #lexaperoutka

[rl_gallery id=”3365″]

#nofuture #nongkranpanmongkol #lexaperoutka #gallerylaboratory #avoidfloatinggallery #prague #07092018

NOFUTURE / NONGKRAN PANMONGKOL, LEXA PEROUTKA

7 Sep 2018 – 13 Sep 2018

Gallery Laboratory http://www.galerijnilaborator.cz/

The scope of this cooperative work sees both artists are engaging with the symptoms of contemporary society. It is some sort of radical imagined landscape of our general/global world.

They investigate our modern social atmosphere, which is often uncontrollable. But to a certain extent this atmosphere can be predictable and susceptible to manipulation. Their work manifests ground/basic models and simplification. These are elementary – minimalist sculptural/multimedia installations where they test contemporary social and political situations.

Both artists have worked together for about one decade and are also involved in a curatorial program between Sweden and Czechia.

——————————————————————————————

FUTURE / NONGKRAN PANMONGKOL, LEXA PEROUTKA

7. září 2018 – 13. září 2018

Galerijní Laboratoř http://www.galerijnilaborator.cz/

Během této autorské spolupráce se oba umělci věnují problematice současné společnosti. Jo to druh radikální vizuality našeho všedního/globalizovaného světa.

Autoři dělají průzkum společenské atmosféry, která je běžně nekontrolovatelná. Společenskou atmosféru můžeme do jisté míry předpovídat nebo ji i manipulovat. Jejich tvorba směřuje k základním modelům a zjednodušením. Jsou jimi minimalistické sochařské/multimediální instalace, kde si ověřují současné společenské a politické situace.

Oba umělci již spolupracují deset let, součástí jejich spolupráce je i kurátorský program mezi Švédskem a Českem.

#angryplanet #rozhnevanaplaneta #2018

#annikalundgren #klaseriksson #digilabavu #prague

#tomashlavina #klaseriksson #annikalundgren #ntkgallery #prague

Hlavina-Eriksson-Lundgren

#hunger #5th performance festival #22052015 #23052015 #artycoktv #cz

#identifyingcenters #decentralisedidentity #berlinskejmodel #prague #21102017

http://www.berlinskejmodel.cz/

#decentralisedidentity #identifyingcentres #hranicar #ustinadlabem #aussig #20102017

/decentralised identity /identifying centres /hranicar

#NovéŠvédsko #VictorMarx #MikaelTofvesson #opening #NTKGallery #Prague

https://www.facebook.com/events/1415753378446366

‘Post-Trauma’ at Avoid Floating Gallery /2016

 

Men At Work /Henrik Ekesiöö

Employees are tight to the job, their usefulness for the business is fully exploited. Working time is perfectly divided and planned for the maximum of the profit. Every spare moment is effectively used. If they can be in charge of some of the working time they revitalize their brains and bodies and the work can be concluded with higher effectiveness and better results. In one building material supply store in Stockholm the team of workers is using spare time to exercise their graphic skills in highly democratic manner. They vote on the theme and rotate each one’s responsibility. Each week the subject changes and the results are surprising and overcoming our low expectations.

 

The Farm /Nongkran Panmongkol

What is the European Union for the people of Europe themselves? What is the real information they gain and from where it comes? From the government or the media? While joining the Union from different perspective of life and from different economical backgrounds it is hard to agree on anything. The rich are here to share with the poor. EU budget. To vote in and out of the Union. Everything seems ironical in a very serious way.

 

A Pedestal /Jan Stolín

We always expect visual art in concrete space and environmental setting. Ourselves we try to limit art to fit our ideas and interpretation of the world. This way we often kill its ability to open new area of discussion and its main structural element that gives it importance and actuality. But art is essentially subversive and it fights our rigid conceptions and gains its own space in our lived environment. Pedestal is the whole system with its own function – it doesn’t have to support any other concept, material or a thing.

 

Reality Touch /Lexa Peroutka

We are materialist, we have and do not have certain things. We are related and disconnected through the material part of our life. With the help of material we wage the wars and create relationships. Without material background we are nonexistent. None. Nichts. Ingen. Zero. Exclusive champagne sets things right into the right perspective – but if the conflict appears all is upside down – and our fragile part is hitting the hard ground.

Per Forma _ Inercult Stockholm _ 8th Dec 2016 (curated by Alice Máselníková)

‘Per Forma’ is a two–day event exploring the relationship between contemporary performance art, theatre and their audiences.
It takes place on December 8, 2pm at Intercult Studio and December 9, 7pm at Fylkingen, Stockholm.

How do we perceive performance in the age of constantly commodified performativity?
The ephemeral nature of performance and theatre has been facing numerous existential challenges, where the focus lies on simplified, readily accessible pleasures and where institutional structures are being shaped according to political and economic agendas.

Transition and identity is the theme these events center around. Who is an actor, a performer, a spectator in a performance today and what dynamics and possibilities of transformation does the relationship between those offer? Are these firlmy institutionalised, untraversable roles or can it be transitioned and developed in response to current context?

Programme:

Day 1
Thursday December 8:th, 2 pm – 6.30 pm + informal reception
Venue: Intercult Studio (Nytorgsgatan 15A, Södermalm, Stockholm)

Invited speakers include practitioners from theatre, performance art and interdisciplinary sectors. In short 30 minute blocks, the speakers will present their practices and professional experience. The session will continue with a panel discussion and finish with a performance by Ukrainian artist Maria Kulikovska.

Speakers:
2.00 Introduction by Alice Maselnikova
2.20 Anders Paulin (SE)
2.50 Sergey Samodov (RU)
3.20 Maria Kulikovska (UA)
BREAK
4.00 Alexander Peroutka (CZ)
4.30 Fia-Stina Sandlund (SE)
5.00 Gustav Broms (SE)
BREAK
5.45 Panel Discussion: Joakim Stampe, Teater7, Anna Korbašová/Ezra Benus.
Moderated by Chris Torch & Alice Maselnikova
6.30 Performance by Maria Kulikovska

Followed by an informal reception

Day 2
Friday December 9, 7-10 pm and then till late ***sparkling afterparty with DJ Kaosart***
Venue: Fylkingen (Torkel Knutssonsgatan 2, Södermalm, entrance from Münchenbryggeriet)
Performing: Teater 7: Ola Wallinder/Amanda Jalmberger (Director: Peter Bark), Joakim Stampe, Ezra Benus & Anna Korbašová.

3 performances in one night ! All created around the theme of transition& identity in performative acts, as approached from three different angles. It is a one-evening musing upon similarities and differences in the processes of creation, audience interaction and performativity.

19.00 Introduction
19.15 Anna Korbašová/Ezra Benus (SK/US)
20.00 Teater7: Ola Wallinder/Amanda Jalmberger (Director: Peter Bark) (SE)
20.45 Joakim Stampe (SE)
22.00 DJ KAOSART live PARTY

Plus the evening continues with a live party hosted by the amazing DJ Kaosart!

Per Forma is curated by Alice Maselnikova as part of a degree project within Curating Art, International Master’s Programme at Stockholm University. The project is presented in collaboration with Europa Direkt Intercult and Fylkingen Studios.

Per-Forma-biographies-3

Intercult Stockholm

/Post-Trauma /Henrik Ekesiöö & Nongkran Panmongkol & Jan Stolín & Lexa Peroutka /Avoid Floating Gallery /Prague

Post-Trauma

openning 19:00, 7.7.2016, Avoid Floating Gallery, Náplavka, 128 00 Prague 2

Henrik Ekesiöö (SE), Nongkran Panmongkol (SE/TH), Jan Stolín (CZ), Lexa Peroutka (CZ/SE)

sound performance by Romano Krzych (FR/CZ) and http://rkz1.blogspot.cz/

Post-Trauma is a collective exhibition of artists from Stockholm and from Czechia. In this context, traumas are meant to be sudden social changes that have great influence on cooperation and communication, as well as defining our living space – the space that we identify ourselves with, and the space that we feel connected to. The individual artists involved are working with three-dimensional and multimedia materials. Their work is an attempt to define the space/room on the basis of its material and/or social quality. Because each artist has a different vision of the space and they are occupying different geopolitical spaces, their work is the “documentation” of a struggle for the concrete space.

midsommar_txt

Supported by

prague_en-gb

/Unlimited Growth /Nongkran Panmongkol /DADS Gallery /Liberec

“Unlimited Growth”

Everyday we consume more than we necessarily need. It is embedded in our consciousness, we accept it, it is drive of our life. It is its fulfillment. Consumption is necessary part of functioning economy. I am investigating ground principles of the market/capital and peoples’ manipulation within the market environment. I translate the results of my investigation into new visual and functional forms where I apply my personal conclusions and critique.

„Nekonečný růst“

Naše spotřeba přesahuje naši každodenní potřebu. Jsme si toho plně vědomi. Konzumace je motorem našeho života – jeho smyslem – jeho naplněním. Je součástí fungující ekonomiky. Zkoumám základní principy trhu/kapitálu a překládám je donových vizuálních a funkčních forem, kde používám moje osobní shrnutí a kritiku.

/Unlimited Growth /Nongkran Panmongkol

/Unlimited Growth /Nongkran Panmongkol

/A New Sweden /photos by Oskar Stolín

/A New Sweden /opening in DADS Gallery /25 Nov 2015

Swedish mosque in Liberec/Reichenberg

/A New Sweden /Victor Marx & Mikael Tofvesson /DADS Gallery /Liberec /Inv

A New Sweden /invitation

Victor Marx (1983) is visual artist and architect who lives and works in Stockholm. He works with contemporary social themes that he incorporates into his urban interventions/projects. Scale of his work is somewhere between architectural forms and more sculptural forms with elements of performance, social interaction and participation.

His work goes over several fields of cultural/art production – his main focus is on social and urban solutions within the context of Sweden. But his themes have much broader importance, rather global – changes of current social fabric, multicultural identity, art and cultural activities within economically defined environment and their independence, DIY architecture and architecture in the margins, regeneration of unused public spaces, renewal of local social interaction etc.

Victor Marx’s work is frequently mentioned in Swedish media because of its connection to ongoing heated public debate about Sweden’s future and future of public/street art.

Victor was one the founders of Cyklopen independent culture house of which he is architect as well.

Cyklopen has gained its firm position in Stockholm’s contemporary cultural/art scene because of its community oriented approach and distancing from traditional and official cultural/art institutions that are having its limitations when being organized on hierarchical and bureaucratic base. Cyklopen is situated in the part of Stockholm where different cultures meet (Eastern European, Middle Eastern…) and where future Sweden is just taking shape.

Work if Victor Marx was currently documented by Martina Iverus for the new art program ARTityd (Swedish TV 1).

Mikael Tofvesson (1983) is visual artist working in the city of Stockholm. He is commited to street art for a long time and he uses street art related expressions and techniques – graphic, illustration, 3D animation… He was also taking part in Cyklopen independent culture house project and he is a member of street art collective (its name is hidden) together with Victor Marx and others. Micke does not prefer to use his real name – strong anonymity has ethical and practical use for street art artists but this time we meet him under his civil name.

 

/A Lecture by Victor Marx in Jaroslav Fragner Gallery in Prague /26 Nov 2015 /6 pm

Victor Marx (1983) is visual artist and architect who lives and works in Stockholm. He works with contemporary social themes that he incorporates into his urban interventions/projects. The scale of his work is somewhere between architectural and more sculptural forms using elements of performance, social interaction and participation.

His work transcends several fields of cultural/art production with main focus on social and urban solutions in Swedish context. However, his themes have a much broader character and more of a global importance, dealing with topics such as changes of current social fabric, multicultural identity, art and cultural activities within economically defined environment and their independence, DIY architecture and architecture in the margins, regeneration of unused public spaces, or renewal of local social interaction etc.

Victor Marx’s work is frequently mentioned in Swedish media because of its connection to ongoing heated public debate on Sweden’s future and future of public/street art.

Victor was one the founders of Cyklopen, an independent culture house in Stockholm, of which he was also the architect. Cyklopen gained its firm position in Stockholm’s contemporary cultural/art scene for its community oriented approach and differentiation away from the traditional and official cultural/art institutions, often limited by their hierarchical and bureaucratic nature and rigid organizational methods. Cyklopen is situated in Stockholm suburbs, the melting-and-meeting pot of various cultures (Eastern European, Middle Eastern…) where future Sweden is just taking shape.

Work of Victor Marx is currently documented by Martina Iverus for the new art program ARTityd (Swedish TV 1).

http://urplay.se/program/190199-artityd-victor-marx

http://www.vima-archi.se/

event in GJF (Prague)

Accommodation Tower (2008, under Liljeholmen Bridge, Stockholm)

Ubytovací věž (2008)

Vitrin Gallery (2008, Masmo subway station, Stockholm)

Galerie Vitrína (2008)

Cyklopen Independent Culture House no.2 (2013, Högdalen, Stockholm)

kulturní dům Cyklopen č.2 (2013)

/Victor Marx & Mikael Tofvesson (in Czech)

Victor Marx (1983) je vizuální umělec a architekt, který působí ve Stockholmu a pracuje se současnými společenskými tématy, které interpretuje svými urbanistickými intervencemi/projekty. Jeho práce kulminuje mezi architektonickými objekty a více sochařskými formami s aspekty performance, společenské interakce a participace. Jeho práce překlenuje několik oborů a žánrů – hlavní důraz klade na řešení společenského tématu v kontextu současného Švédska. Tato témata mají globální charakter – proměna současných společenských vazeb, multikulturní identita, umělecká a kulturní činnost v čistě ekonomicky definovaném prostředí a její nezávislost, architektura svépomocí a architektura na okraji – regenerace nevyužitého veřejného prostoru a obnovení lokálních společenských vazeb.

Práce Victora Marxe se několikrát objevila v popředí veřejné debaty (v médiích) ve Švédsku. Victor je iniciátorem a architektem nezávislého kulturního domu Cyklopen ve stockholmské čtvrti Högdalen, která je ovlivněna silnou vlnou imigrace z Východní Evropy a Předního Východu. Jeho práce je mapována v dokumentu švédské televize SVT1 v novém programu o současném umění – ARTityd (film Martiny Iverus).

http://www.vima-archi.se/

Mikael Tofvesson (1983) je vizuální umělec působící rovněž ve Stockholmu, který se dlouhodobě věnuje street art a příbuzným technikám uměleckého projevu – grafika, ilustrace, 3D animace… S Victorem Marxem se podílel na realizaci nezávislého kulturního domu Cyklopen a je členem street art kolektivu (jméno je skryté), kterého je Victor Marx rovněž členem. Z etických a praktických důvodů prostředí street art upřednostňuje anonymitu autora. Mikke tak pod svým pravým jménem vystupuje vlastně poprvé v kontextu vizuálního umění.

/Pals Play Tag! Part Two: Czechia-Sweden /update

libani komplet

Pals Play Tag! Part Two: Czechia-Sweden

Date: 31 Oct 2015 18:00-24:00

Place: Fylkingen, Stockholm

Adress: Torkel Knutssonsgatan 2, Stockholm

Multinational performance art evening at Fylkingen!

A collaborative exchange project between PALS-performance art links from Stockholm and Ferdinand Baumann Gallery from Prague. This is a first attempt to connect these two distant performance art scenes. Both participating art organizations have several years of history and they represent the young emerging performance art scene in their own domestic and international context. Their first exchange took place during “Hunger“ performance festival from 22 to 23 May in Prague this year. The second stage in Stockholm is part of a series of new international exchanges of performance art organized by PALS with other art initiatives abroad (a previous event was held at Fylkingen this year; Pals Play Tag Part One: Poland-Sweden).

Participating artists:

Milan Kohout (Prague)

Barbora Šimková (Prague)

Vladimír Turner (Prague)

Karíma Al-Mukhtarová (Prague)

Darina Alster (Prague)

Gaby Billa-Günther (Berlin)

Louise Dahl-Lindvall (Stockholm)

Henrik Ekesiöö (Stockholm)

Nongkran Pangmogkol (Stockholm)

Curators: Erik Wijkström, Darina Alster, Alexander Peroutka

FB event: https://www.facebook.com/events/620080731465852

Prtesented by:

Ferdinand Baumann Gallery
www.fbgallery.cz

PALS – Performance art links
www.palsfestival.se

Partners:

Fylkingen
www.fylkingen.se

The Czech Center Stockholm
http://stockholm.czechcentres.cz/

 

pals and cc

/A New Sweden/ opening/ Victor Marx and Mikael Tovfesson in DADS – Die Aktualität des Schönen… in Liberec /25 Nov 2015

Die Aktualität des Schönen…

Marx arkitektur AB

26 Nov 2015/ a lecture by Victor Marx at Jaroslav Fragner Gallery in Prague

/Fylkingen /31 Oct 2015

Coming soon!!

Pals from Stockholm (www.palsfestival.se) and Ferdinand Baumann Gallery in Prague (www.fbgallery.cz) with the help of The Czech Center Stockholm (http://stockholm.czechcentres.cz/) organize Czech-Swedish performance event at Fylkingen in Stockholm (www.fylkingen.se).

Czech participation:

Milan Kohout
(www.mobius.org/milan-kohout), (https://www.youtube.com/channel/UCjX5QDx97uF0M6Q3gSvGYAg),
(Radical Jesters, 2008)

Vladimír Turner
(www.sgnlr.com)

Barbora Šimková
(http://fud.ujep.cz/digitalni-media/student/barbora-simkova/)

Karíma Al-Mukhtarová
(www.artlist.cz/en/al-mukhtarova-108549)

Darina Alster
(www.darinaalster.tumblr.com)

Gaby Billa-Günther (Berlin)
(http://soundcloud.com/lady-gaby/)

Swedish participation:

Louise Dahl-Lindvall
(www.louiselindvall.com)

Henrik Ekesiöö

(www.henrikekesioo.se)

Nongkran Panmogkol

(www.flickr.com/photos/candylandgallery/albums/72157631045117120), (FBGallery/2011/EU-Beef)

>>>

Curators: Erik Wijkström, Darina Alster, Lexa Peroutka

/Hunger /Hlad Performance Festival in Prague /Inv /22 May-23 May 2015

Hunger / Hlad Poster

HUNGER FESTIVAL 2015

Swedish participation /23 May 2015/

For approximately a year, I have contemplated the idea of bridging two distant and unconnected art performance scenes – scenes that are primarily disconnected for geographical and chronological reasons. The Hunger festival in Prague is the first here to establish communication and exchange between such scenes. Both are of a smaller size and play their roles within the broader fine art scene based on their geographical spheres of influence. The performance scene in Stockholm is now represented by several contemporary art performance venues (Live Action in Gothenburg, Palsfestival in Stockholm and Friktioner International Performance Art Festival in Uppsala), with all having started pretty recently. Palsfestival in Stockholm was formed in 2012 and is our primary partner.

Performance depends on many environmental, social, economical and political aspect of the place where it is applied – so the differences between the scenes can be as much as the difference of the entire social and cultural fabric that each society is built from – so I like to mention geo-body (hammered down by Thongchai Winichakul) – the entirety of the elements that form contemporary country boundaries.

… Unless There Is a Scandal  (45min)

(Collective presentation/talk – Success Story, Scandal and What Is Left – Contemporary Art in Stockholm – Nongkran Panmongkol, Erik Wijkström, Henrik Ekesiöö, Alexander Peroutka)

Erik Wijkström

Please Feed Artist  (90min)

This performance is concrete realization of a situation in which we usually function – that is we operate throughout our existence within given frames that are often created by other people. Our survival is based on cooperation.

Henrik Ekesiöö

Fantasies of a 10 Year Old  (20min)

Henrik Ekesiöö is performing what a 10 year old boy said he would do to him. The threats were made like a game, a game made to shock the opponent, and if there is no reaction you have to come up with something more brutal. Reality and its upper layers has shifted, it seems the real world is not far from our dreams.

Nongkran Panmongkol

Cleaning Job  (10min)

Hunger in developed society is consumption. If you are hungry or not you will always be a consumer. In parts of the world things are produced, and in other parts things are consumed. The origin of consumables can be traced and then we can complete the picture of the world we are living in.

Romano Krzych  (30min)

The real ethnic French cultural underground is represented by Romano Krzych, who appears to have been living in Prague for several years. His performances use the disturbing language of noise in a very clear, radical and almost harming way.

“Nowadays even the idea of real-life results from a subtraction. Same for appetite: so much to eat and such a lake of hungriness. Misery is a threat but discipline of poverty let open a door. Consequently I try to cultivate some healthy disappointment.”

at

KLINIKA: ANTICOMMERCIAL CULTURAL AND SOCIAL CENTRE IN PRAGUE                 

Jeseniova 60, Prague 3

on Sat 23 May 2015

19.00 – 20.20 Erik Wijkström
19.10 – 19.25 Nongkran Panmongkol
19.30 – 19.50 Henrik Ekesiöö
19.55 – 20.15 Romano Krzych
20.20 – 21.00 …Unless There is a Scandal – collective presentation/discussion – contemporary art in Stockholm

links:

hunger performance festival /fb event

fbgallery.cz

palsfestival.se

erikwijkstrom.net

henrikekesioo.se

rkz1.blogspot.cz /rogomichkin.blogspot.cz

klinika autonomous social center

 

/video doc from our exhibition in Kreuzberg Pavillon /Berlin

/Till The Last Drop /Invisible Violence /Kreuzberg Pavillon /Berlin /11 Oct 2014

invisible violence / kreuzberg pavillon

/upcoming group show “Innocent Violence” in Kreuzberg Pavillon in Berlin /Inv /11 Oct 2014

Innocent Violence

Invitation / Einladung

Sa. 11.10.2014, 20.00 Uhr / 8pm

INNOCENT VIOLENCE

Klas Eriksson
Nongkran Panmongkol
Alexander Peroutka

Klas Eriksson, Nagkran Panmongkol und Alexander Peroutka arbeiten mit sozialer Intervention. IhreArbeit wird von ihrem Aufenthalt bzw Leben in im geopolitischen Raum Schweden beeinflusst. Traditionell haben soziale und politische Ideen in Schweden eine eigene autonome Interpretation und Umsetzung. Die Gesellschaft scheint hier homogener zu sein und sich rund um ein allgemeines Einvernehmen zu organisieren. Diese Interventionen erwarten ein soziales Umfeld, das seine eigenen Limits aufweist, Grenzen, seine eigenen einzigartigen Erwartungen.

Klas Eriksson erforscht soziale Macht, Hierarchie, soziale Kontrolle und Gewalt innerhalb kultureller Vorstellung und den Einfluss von Pop-Kultur auf die Funktion der heutigen Gesellschaft. Seine Forschung verleiht seiner Installationen und Videos einen performativen Charakter.

Nongkran Panmogkol wurde in Thailand geboren und lebt in Stockholm. Sie arbeitet mit Vorstellungen von kulturellem Konflikt, kultureller Hegemonie und analysiert die Probleme, die durch die non stop Modernisierung der westlichen / globalen Gesellschaft, Grenzen der menschlichen Einwirkung und persönliche und gemeinschaftliche soziale Verantwortung.

Alexander Peroutka lebt und arbeitet in Prag und Stockholm. Seine Arbeit basiert auf der Erforschung der Logik kultureller und politischer Strukturen, die innerhalb jedes geo-politischen Raumes authentisch sind. Er schafft seinen eigenen kritischen Ansatz, der dreidimensional wird in Form von Installationen, die auf Dokumentationen, Datenbanken und sozialen Modellen basieren.

//

Klas Eriksson, Nongkran Panmongkol and Alexander Peroutka work with the idea of social intervention. Their work is influenced by their stay or life in the geopolitical space of Sweden. Social and political ideas in Sweden have traditionally their own autonomous interpretation and implementation. Here it seems the society is more homogeneous and is organized around common understanding. The focus of the presented work lies on artistic investigation into social realities limited by geopolitical space. These interventions expect a social environment that has its limits, borders and its own unique expectations.

Klas Eriksson is investigating social power, hierarchy, social control and violence in cultural imaginary and the impact of pop-culture on function of contemporary society. His investigations leads to a certain performative character of his installations and videos.

Nongkran Panmongkol was born in Thailand and lives in Stockholm. She is working with the ideas of cultural conflict, cultural hegemony while she is analyzing the problems that are created by non-stop modernization of western global society in terms of human interaction limits, personal and collective social responsibilities.

Alexander Peroutka is an artist from Prague and Stockholm. His work is based on investigations into a logic of cultural and political structures that are authentic in every geo-political area (geo-body). He creates his own critical approach that takes three-dimentional form of his installations. His installations are based on documentaries, databases and social models.

KREUZBERG PAVILLON
Naunynstrasse 53
Gartenstudio Berlin
10999 Berlin

Public transport / ÖPNV : U1 / U8 Kottbusser Tor
www.kreuzbergpavillon.de

[http://www.indexberlin.de/kreuzbergpavillon]

 

/Tamara Moyzes & Shlomo Yaffe /Welcome to Prague /Czech Center Stockholm

Welcome to Prague, 2010 CC Stockholm from lxu on Vimeo.

Tamara Moyzes, Shlomo Yaffe: Welcome to Prague [CC Stockholm]

/Groupe Guma Guar /The Wings of Your Nation /Czech Center Stockholm

The Wings of Your Nation, 2010 CC Stockholm from lxu on Vimeo.

GGG: The Wings of Your Nation [CC Stockholm]